White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art
White Goat Hair Sumi-e Paint Brush #2 Art Supplies Elizabeth Schowachert Art

White Goat Hair Sumi-e Paint Brush #2

Regular price $169.00 $0.00 Unit price per
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This brush was made with a piece of driftwood from Flathead lake and my premium white goat hair.   The super-premium white goat hair is very soft, super absorbent has great flex, and will make a wide variety of marks, from wide/dynamic to very fine.

The bristle is cut with a rounded curve (mop shape).

This has an extremely soft white goat hair bristle that is perfect for blending and softening.

  • Bristles will stay soft when wet
  • Ideal for creating background color or sky washes
  • Useful for blending or softening color
  • Can be used with oils, acrylic, watercolor, etc.

Brush Specifications:

  • A leather hanging strap
  • The handle is wormwood

Bristlehead:

  • The white premium goat hair is 2.75" in length
  • The bamboo handle is 12" in length

My brushes are made to create a vast array of marks. When I make a brush I think about all aspects of the tool: how it looks, how it feels in the hand, and how it paints - to ensure that the end product is a true "fine art tool". 


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